Product Details
No Wave: Post-Punk. Underground. New York. 1976-1980.

No Wave: Post-Punk. Underground. New York. 1976-1980.
By Thurston Moore, Byron Coley

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Product Description

No Wave is the first book to visually chronicle the collision of art and punk in the New York underground of 1976 to 1980. This in depth look at punk rock, new wave, experimental music, and the avant-garde art movement of the 70s and 80s focuses on the true architects of No Wave from James Chance to Lydia Lunch to Glenn Branca, as well as the luminaries that intersected the scene, such as David Byrne, Debbie Harry, Brian Eno, Iggy Pop, and Richard Hell.

This rarely documented scene was the creative stomping ground of young artists and filmmakers from Jean-Michel Basquiat to Jim Jarmusch as well as the musical genesis for the post-punk explosions of Sonic Youth and is here revealed for a new generation of fans and collectors.

Thurston Moore and Byron Coley have selected 150 unforgettable images, most of which have never been published previously, and compiled hundreds of hours of personal interviews to create an oral history of the movement, providing a never-seen-before exploration and celebration of No Wave.

Product Details

  • Amazon Sales Rank: #80410 in Books
  • Published on: 2008-06-01
  • Original language: English
  • Number of items: 1
  • Binding: Hardcover
  • 144 pages

Editorial Reviews

From Publishers Weekly
Art and music come together in this oral account of Manhattan's mid-1970s No Wave music scene. Moore, a founding member of the band Sonic Youth, and Coley, a music writer and editor, identify the likes of Teenage Jesus and the Jerks, DNA, Contortions and Mars as the "core bands" that built No Wave. Shedding light on the personal relationships of these close-knit bands, the surprisingly reserved volume-graced with exquisite black-and-white photos with occasional splashes of poster-art color-also looks at how the devastated state of the city influenced their sound and performances: "As everything's collapsing... the music became the rebellion," says Teenage Jesus's Lydia Lunch in her scowling, astute foreword. Music sometimes described as "a car crash" gets heartfelt and intelligent commentary from the likes of DNA's Ikue Mori: "it wasn't about technique; it was more about new ideas and inspiration." The authors' personal interviews with the movement's other pioneers elicit raw, honest hindsight; along with revealing photographs, this volume takes readers straight into the heart of this zeitgeist.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

About the Author
Thurston Moore is one of the founding members of the iconic band Sonic Youth and the author of Mix Tape.

Byron Coley is an esteemed music writer and editor, who has contributed to numerous publications, including Forced Exposure and Spin.





Customer Reviews

Another POV5
Its by Sonic Youth, enough said. The photographs are awesome and the documentation of a whole other part of New York music is fresh. These kinds of books are great because we're getting the story straight from the people that lived it.

The definitive chronicle of the late '70s New York art-rock scene.5
No Wave: Post-Punk. Underground. New York. 1976-1980.Thurston Moore (Sonic Youth) and music critic Byron Cooley have created the definitive chronicle of the late '70s New York art-rock scene. Together they skillfully depict the culture, politics, and environment that formed the still-obscure and quietly influential bands of that era. The details are vast and at times daunting; all the who-dated-whoms, whens, wheres, and whys are included with factual reference points, oral histories, and extensive quotes and photography. The scene, created largely by emerging artists, was rich in photographers and creative writers, and a lot of the never-before-seen source material in No Wave is worthy of a book alone. No Wave fans, especially the art-school-leaning types, will appreciate the reproductions of Lydia Lunch fashion calendars, black-and-white behind-the-scenes photography, record covers, and concert flyers.

-from AlarmPress.com
http://www.alarmpress.com/4089/book-reviews/no-wave-post-punk-underground-new-york-1976-1980/

eye candy and history 5
1970's New York, a time of polemic filth and fury with displaced art kids crashing head first into the detritus to form bands without which we would have no Rapture, Yeah Yeah Yeahs or (insert a hundred names here). Framed around this incredible gathering of black & whites are interviews (conducted by the Thurston Moore and writer/editor/et cetera Byron Coley) with artists deep in the thick of said scene (i.e. James Chance, Glen Branca, Ikue Mori, Robert Quine and the ever-verbose Lydia Lunch), club owners, iconic groupies and passers-by, including Brian Eno who gives his perspective on the immortal Eno "produced" No New York compilation. Having been active participants during this era, the authors do a spectacular job of detailing the tenuous camaraderie, insular tension and the seeds of No Wave's demise. Not simply for those who know the difference between "No Wave" and "New Wave", the eye candy and history lessons make for an illuminating, universally appealing document.